April 25, 2008

Gil Scott-Heron a poet...

... and a "prophet"


Gil Scott-Heron is one of those musicians who is serious about his craft.  His music is mostly about the human condition - racism, American Imperialism and similar topics that leave most Americans running for cover in shame.  His lyrics are poetic and prophetic. In this song he called "B Movie", which was released in 1981, right after the election of Ronald Reagan, he describes the political situation in the US in a poetic and prophetic way.  He lays out what the "Reagan Revolution" was about and what a mess it got the US in.  Here is the lyric.



Well, the first thing I want to say is…”Mandate my ass!”

Because it seems as though we’ve been convinced that 26% of the registered voters, not even 26% of the American people, but 26% of the registered voters form a mandate – or a landslide. 21% voted for Skippy and 3, 4% voted for somebody else who might have been running.

But, oh yeah, I remember. In this year that we have now declared the year from Shogun to Reagan, I remember what I said about Reagan…meant it. Acted like an actor…Hollyweird. Acted like a liberal. Acted like General Franco when he acted like governor of California , then he acted like a republican. Then he acted like somebody was going to vote for him for president. And now we act like 26% of the registered voters is actually a mandate. We’re all actors in this I suppose.

What has happened is that in the last 20 years, America has changed from a producer to a consumer. And all consumers know that when the producer names the tune…the consumer has got to dance. That’s the way it is. We used to be a producer – very inflexible at that, and now we are consumers and, finding it difficult to understand. Natural resources and minerals will change your world. The Arabs used to be in the 3rd World. They have bought the 2nd World and put a firm down payment on the 1st one. Controlling your resources we’ll control your world. This country has been surprised by the way the world looks now. They don’t know if they want to be Matt Dillon or Bob Dylan. They don’t know if they want to be diplomats or continue the same policy - of nuclear nightmare diplomacy. John Foster Dulles ain’t nothing but the name of an airport now.

The idea concerns the fact that this country wants nostalgia. They want to go back as far as they can – even if it’s only as far as last week. Not to face now or tomorrow, but to face backwards. And yesterday was the day of our cinema heroes riding to the rescue at the last possible moment. The day of the man in the white hat or the man on the white horse - or the man who always came to save America at the last moment – someone always came to save America at the last moment – especially in “B” movies. And when America found itself having a hard time facing the future, they looked for people like John Wayne. But since John Wayne was no longer available, they settled for Ronald Reagan – and it has placed us in a situation that we can only look at – like a “B” movie.

Come with us back to those inglorious days when heroes weren’t zeros. Before fair was square. When the cavalry came straight away and all-American men were like Hemingway to the days of the wondrous “B” movie. The producer underwritten by all the millionaires necessary will be Casper “The Defensive” Weinberger – no more animated choice is available. The director will be Attila the Haig, running around frantically declaring himself in control and in charge. The ultimate realization of the inmates taking over at the asylum. The screenplay will be adapted from the book called “Voodoo Economics” by George “Papa Doc” Bush. Music by the “Village People” the very military "Macho Man."

“Company!!!”
“Macho, macho man!”
“ Two-three-four.”
“ He likes to be – well, you get the point.”
“Huuut! Your left! Your left! Your left…right, left, right, left, right…!”

A theme song for saber-rattling and selling wars door-to-door. Remember, we’re looking for the closest thing we can find to John Wayne. Clichés abound like kangaroos – courtesy of some spaced out Marlin Perkins, a Reagan contemporary. Clichés like, “itchy trigger finger” and “tall in the saddle” and “riding off or on into the sunset.” Clichés like, “Get off of my planet by sundown!” More so than clichés like, “he died with his boots on.” Marine tough the man is. Bogart tough the man is. Cagney tough the man is. Hollywood tough the man is. Cheap stick tough. And Bonzo’s substantial. The ultimate in synthetic selling: A Madison Avenue masterpiece – a miracle – a cotton-candy politician…Presto! Macho!

“Macho, macho man!”

Put your orders in America . And quick as Kodak your leaders duplicate with the accent being on the nukes - cause all of a sudden we have fallen prey to selective amnesia - remembering what we want to remember and forgetting what we choose to forget. All of a sudden, the man who called for a blood bath on our college campuses is supposed to be Dudley “God-damn” Do-Right?

“You go give them liberals hell Ronnie.” That was the mandate. To the new “Captain Bly” on the new ship of fools. It was doubtlessly based on his chameleon performance of the past - as a liberal democrat – as the head of the Studio Actor’s Guild. When other celluloid saviors were cringing in terror from McCarthy – Ron stood tall. It goes all the way back from Hollywood to hillbilly. From liberal to libelous, from “Bonzo” to Birch idol…born again. Civil rights, women’s rights, gay rights…it’s all wrong. Call in the cavalry to disrupt this perception of freedom gone wild. God damn it…first one wants freedom, then the whole damn world wants freedom.

Nostalgia, that’s what we want…the good ol’ days…when we gave’em hell. When the buck stopped somewhere and you could still buy something with it. To a time when movies were in black and white – and so was everything else. Even if we go back to the campaign trail, before six-gun Ron shot off his face and developed hoof-in-mouth. Before the free press went down before full-court press. And were reluctant to review the menu because they knew the only thing available was – Crow.

Lon Chaney, our man of a thousand faces - no match for Ron. Doug Henning does the make-up - special effects from Grecian Formula 16 and Crazy Glue. Transportation furnished by the David Rockefeller of Remote Control Company. Their slogan is, “Why wait for 1984? You can panic now...and avoid the rush.”

So much for the good news…

As Wall Street goes, so goes the nation. And here’s a look at the closing numbers – racism’s up, human rights are down, peace is shaky, war items are hot - the House claims all ties. Jobs are down, money is scarce – and common sense is at an all-time low on heavy trading. Movies were looking better than ever and now no one is looking because, we’re starring in a “B” movie. And we would rather had John Wayne…we would rather had John Wayne.

"You don’t need to be in no hurry.
You ain’t never really got to worry.
And you don’t need to check on how you feel.
Just keep repeating that none of this is real.
And if you’re sensing, that something’s wrong,
Well just remember, that it won’t be too long
Before the director cuts the scene…yea."

“This ain’t really your life,
Ain’t really your life,
Ain’t really ain’t nothing but a movie.”




alt : http://www.youtube.com/v/bc4LvadyXCc&hl=en
Posted by CHEREKA at 21:20:53 | Permanent Link | Comments (0) |

May 25, 2007

CLASH OF CIVILIZATIONS...

...OR A DIVIDING TACTIC?

I have often asked that same question myself.  Do the so called 'leaders' of our times really speak for us? Is the Western so called, 'civilized society' really civilized? Is fundementalist ideology Is religion, as it is taught today by most religions, really our salvation or our doom? Are we killing ourselves to save us from ourselves? What are we doing to each other? 

Well, I hope we find the answers before it's too late.  Here's a little video I found on the net that asks these important questions.  Enjoy!

And please sign the petition below. 

http://www.avaaz.org/en/

alt : http://www.youtube.com/v/WWyJJQbFago

 

And those of you who find it easier to digest the realities of today’s troubled world through music, here’s a song by Alan Fletcher, an Australian singer/actor asking you if you are “Perfectly Comfortable”.  Enjoy!  

 

alt : /javascript/audio-player/player.swf?soundFile=http%3A%2F%2Famadeo.blog.com%2Frepository%2F279114%2F2026240.mp3

Lyrics

A Child questions the world with an innocent eye
Her future depends on your reply
Does she see a tear in your eye
Or are you perfectly comfortable

All that she sees, all that she hears
Determines how she feels in fifty years
Will she be still be living with grand daddy's fears
Or be perfectly comfortable?

Are you perfectly comfortable with all that's been said
All your child is offered in your defense
And if you're perfectly comfortable
commit to offence               

Are you perfectly comfortable going to war
Without moral sanction, against the law
Are you perfectly comfortable,
Fighting the world

If you're perfectly comfortable that all has been done
Then gaze at your daughters and gaze at your sons
And ask yourself this question over again
would you be perfectly happy if it happened to them
And if you are perfectly comfortable
commit to offence

History books tell the tales
Of men in armor on their crusades
Must we repeat what they have failed
To do
Its so familiar, lets solve this with the sword
Its so familiar, we know no other way to go forward
Old men will decide
Who lives and who dies
They take the blame
But we wear the shame
The future to peace lies with you and with me...

for the child
Stop for a while, gaze at the smile
Slacken your haste, reflect on the face
Of a child

Posted by CHEREKA at 11:14:02 | Permanent Link | Comments (2) |

May 10, 2007

IRAQ

"There's a war going on outside"

This is a very touching and emotional video by an Iraqi American artist named TIMZ from San Diego Ca. In this 3 and 1/2 minute informative music video, he expresses the feelings of many around the world regarding this illegal and immoral war.

alt : http://www.youtube.com/v/DRiy4yfh-IM
Posted by CHEREKA at 09:09:57 | Permanent Link | Comments (2) |

December 27, 2006

R.I.P. JAMES BROWN

 THE GODFATHER OF SOUL

Once in a lifetime, comes a person who, by nothing more than just the sheer love and dedication to his/her craft, becomes the standard that all others are measured with.  People like that are very rare. All they want to do is that one thing they know and love most; not for some unforeseen fame or fortune, but just for the pure passion for it.  They do it in a way that no one has ever done it before, without compromising their talent.  They don't lead or follow.  They just do their stuff.  Everything, eventually, and naturally will fall into place. James Brown was one of those people.

Before there ever was a Michael Jackson, an Elvis Presley, a Smokey Robinson, or someone like Marvin Gaye, there was James Brown.  Even back home in Ethiopia, James Brown was a household name in the 60's and 70's. There was even a fictional equivalent to his name, 'Demissie Berehanu'.  From old to young, rich to poor, everyone knew who James Brown was. 

Who as a kid, with a foolish aspiration to be an America Pop star, hasn't shouted the name ‘James Brown' after belting out that patented James Brown scream?   As a mother or father, what parent hasn't cursed the name James Brown after a fight with a rebellious son who was caught in the local shai bet listening to, ‘I feel good' or 'Hot Pants' by James Brown? What young man in the 70's has not worn those bellbottom pants and large lapelled colorful coats and tried that James Brown spin dance? 

James Brown has inspired many African musicians with the likes of Alemayehu Eshete, Fela Kuti and countless others.  He truly was the Godfather of Soul.  He will be sorely missed.

 

Posted by CHEREKA at 09:02:51 | Permanent Link | Comments (5) |

December 21, 2006

Tilahun Gessesse

The Greatest Ethiopian Entertainer

"I think I should have no other mortal wants, if I could always have plenty of music. It seems to infuse strength into my limbs and ideas into my brain. Life seems to go on without effort, when I am filled with music."

George Eliot (1819 - 1880)

By Ketsela

I had a rare opportunity to see "THE GREAT TILAHUN GESSESSE"'s concert on Saturday night. By no means am I considered a concertgoer. In my life I attended three Ethiopian concerts and two of them were of Tilahun. Please, do not assume anything different, the only reason I did not attend other Ethiopian concert was that they schedule at 8 pm and never start until 11 pm. Yes, it was the same with the Tilahun concert but I can wait even longer for his. That is the least I can do for a man who lived to entertain me for all my life. Yes, he was on a wheel chair but nothing was different since last I saw him here in Minneapolis or when I saw him back in Ethiopia. Ah! Those eyes still sing along with his lips and confirm the sincere messages he was delivering then and now.

One can sit and compile his songs and will be able to write a book about us Ethiopians - our nature, poverty, war, love, relationship and can be a best seller in the New York Book Review. And I mean it too. Tilahun has touched every Ethiopian generation. If not yours, your parents; if not your parents, your grandparents’. Certainly, there were many titled songs that disappeared due to censorship. Do you readers know that once Tilahun brought a dog on stage and sang "MY DOG" in front of the Emperor Haile Selassie? Some part of the lyrics went like this:

 

 


 


 

Got punished for it too. I might be from the old school in being a music lover, and yet I witnessed young men and women crying and sobbing by the sight of seeing him. This is one Ethiopian I know and love. Once on Medrek,  a reader condemned him for not singing a Tigrigna song.  I feel the individual loves him as much as I do, but he/she seemed to blame him for his linguistic inability. There is a Latin saying that goes "They condemn what they do not understand". To me, that sounded like blaming a young white man or woman for being responsible for the act of slavery. Consider it just as an analogy. Music, like a great painting, is designed to express the social significance of the situation of the people. I remember once an Ethiopian painter told me that if he paints a cup of tea with a lemon on the side, viewers must and should smell the tea and lemon. That seemed to be the quality of Tilahun in his music for Ethiopia and to Ethiopians. In the same token all the songs made by Tilahun carry messages reflecting the ETHIOPIA we know and love. The art of his songs are relayed from generation to generation and can be translated in more than one ways. They all smell good, look good and gurantee individual and socital satisfaction.

What Tilahun proved to me last Saturday was that being handicap is just a state of mind; I see no difference in him when singing, smiling and moving his body to the tune of the music.
I may not be an expert to compare Ethiopian singers; it is because this was only my third one to attend an Ethiopian concert in America. Two of them were for one and only one Tilahun. Come on! Readers, it was not because I do not like to listen to an Ethiopian music but only that the organizers tell me it start will at 9 but let me sit in an empty hall for about three hours. And I go stag too.

I just like to THANK Ato Tilahun for all contributions he has done to entertain me through out his life.

Posted by CHEREKA at 12:51:30 | Permanent Link | Comments (2) |

April 27, 2006

THE MUSICAL NUN

 Emahoy Tsegue-Maryam Guebrou

I thought I had heard every tale told about the love of music.   This is as interesting a story as it is unusual. 

Move over Mulatu Astatke and Girma Yifrashewa.  Wake up the echoes of Prof Ashenafi Kebede.  There is an old but new, no, not a sheriff, but a nun in town. Yes, you read right,  a nun. This is the story of Emahoy Tsegue-Maryam Guebrou, a musical genius. Her talent has been compared to Jazz and classical greats like, Count Basie, Oscar Peterson, and Jelly Roll Morton, and even Eric Satie as well as Beethoven in some of her works.

I guess genius comes in many shapes and forms.  This unheralded musical talent, however, has such an interesting tale, it almost makes her musical talent the side story.  I accidentally stumbled into her CD last weekend at a store and decided to do a little research on her, as I sometimes do before purchasing the CD.  The short bio I found was absolutely amazing.  Here are a few excerpts.

The latest installment in the Ethiopiques series is a brilliant, gorgeous and captivating record: solo piano compositions from Tsegue-Maryam Guebrou, whose warm, gentle touch evokes everyone from the work of Debussy to Fats Waller to Bill Evans. Born in 1923 into a learned Ethiopian family, Guebrou was educated in Switzerland (where she first learned piano) and Cairo as well as in her native country.   Soundfix

http://www.soundfixrecords.com/artists/ethiopiques/vol21/

Meditations on bible themes and the beauties of nature were her favorite subjects and her compositions were often built around recognizably Ethiopian melodic structures. But they also reveal refracted shards of what would certainly be cited as influences if only it could be established she had ever heard the works of Count Basie, Oscar Peterson, Keith Jarrett, Abdullah Ibrahim and especially, Eric Satie. But ultimately, Sister GuÈbrou seems to be a lone reed -- but a very beautiful one.  Christina Roden

http://www.amazon.com/exec/obidos/tg/detail/-/B000BU9FOQ/ref=pd_bbs_null_1/102-2135978-6169741?v=glance&s=music 

The 21st volume in the grand Ethiopiques series (not bad for a country that has no musical tradition of its own to speak of) is dedicated to the solo piano works of the outstanding composer and performer Emahoy Tsegué-Maryam Guèbrou , a daughter of Ethiopian high society who chucked it all to become a nun in the nation's Orthodox Church. Tsegué-Maryam Guèbrou was educated in Europe. She played violin (under the tutelage of Polish émigré Alexander Kontorowicz ). She took up her piano studies while in the convent and teaching at an orphanage.  Thom Jurek, All Music Guide

http://cdconnection.com/bin/nph-search?part=77826&source=robot

"Not bad for a country that has no musical traditionof its own..."?  Well, somebody done told you wrong, Mr  Jukrek. I think you need to do some homework about Ethiopian music. But that will be adressed at a later date on this blog.  For now, your kind review serves our purpose.

Well people, I hope y'all will get a copy of the CD for your listening pleasure and also help the orphange at the same time.

Enjoy!

 

 

 

Posted by CHEREKA at 23:43:59 | Permanent Link | Comments (3) |

April 04, 2006

MUSIC - MY TRUE LOVE

Burntface

 

My father used to say, ሙዚቃ የማይወድና ያልተጠረበ ድንጋይ አንድ ናችው (people who don't appreciate music are similar to a stone that is not carved) - no offense to all of you who are walking around with slanted heads and no MP3 full of Teddy Afro and Mulatu Astatke songs, but you don't know what you missing. Speaking of Teddy Afro.

Posted by CHEREKA at 11:32:44 | Permanent Link | Comments (2) |